By Ian Hunter
Book Review
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From the first few chapters, Love Lost in Time lets you know it’s not here to rush or reassure you. It takes its time, lays things out gently, and trusts you to stay with it — which makes the emotional moments hit even harder when they arrive.
The historical storyline is especially strong. It feels lived-in rather than idealised, shaped by obligation, belief, and the realities of the time. Relationships develop slowly and carefully, and because of that, the tenderness carries real weight. You’re always aware of how easily things could unravel.
The modern timeline starts off feeling familiar and almost ordinary, which makes the moments when the past begins to surface far more unsettling. Small discoveries suddenly feel heavy, and it becomes clear that history isn’t something that stays neatly behind you. The way the two timelines begin to echo each other is handled with a lot of restraint, which I appreciated.
What really got to me was how close the emotions sit to the surface. Nothing is overplayed, but everything feels personal. Grief, longing, and love are allowed to exist without being explained away or tied up neatly, and that makes the story feel honest.
By the end, I wasn’t looking for answers — I was just sitting with the feelings the book had left behind. Love Lost in Time is thoughtful, quietly devastating in places, and the kind of story that stays with you long after you’ve finished reading.
Cathie Dunn
Cathie is an Amazon-bestselling author of historical fiction, dual-timeline, mystery, and romance. She loves to infuse her stories with a strong sense of place and time, combined with a dark secret or mystery – and a touch of romance. Often, you can find her deep down the rabbit hole of historical research…
In addition, she is also a historical fiction book promoter with The Coffee Pot Book Club, a novel-writing tutor, and a keen reviewer on her blog, Ruins & Reading.
After having lived in Scotland for almost two decades, Cathie is now enjoying the sunshine in the south of France with her husband, and her rescued pets, Ellie Dog & Charlie Cat.
She is a member of the Historical Novel Society, the Richard III Society, the Alliance of Independent Authors, and the Romantic Novelists’ Association.
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Jurassic Park by Michael Crichton
Until something goes wrong...
In Jurassic Park, Michael Crichton taps all his mesmerizing talent and scientific brilliance to create his most electrifying technothriller.
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From its opening pages, Jurassic Park makes it clear that this isn’t simply about dinosaurs breaking loose. It’s about belief — in science, in progress, in the idea that if something can be built, it should be. The early chapters take their time laying out that vision, and for a while, you almost share in the excitement of it.
The park feels convincing because the confidence behind it feels real. Meetings are calm. Systems are explained. Risks are acknowledged and then minimised. Nothing feels careless — which makes the eventual collapse more unsettling. You’re watching something impressive strain under the weight of its own ambition.
What gives the story its weight is how human the reactions are. Alan Grant adapts because he has to, relying on instinct and observation rather than heroics. Ian Malcolm questions the foundations from the outset, not to be contrary, but because he understands how fragile complex systems really are.
And then there is John Hammond. He never truly lets go of his dream. Even as the evidence mounts and danger becomes undeniable, he clings to the belief that the park can still succeed, that the idea itself was sound. It’s conviction, not cruelty — but it blinds him. And in the end, he pays for it. The novel doesn’t romanticise that outcome or soften its edges.
There is no neat, comforting resolution here. No peaceful coexistence. No sense that the dinosaurs are left quietly roaming in harmony. The ending — though not lingered on in graphic detail — is brutal in its implications. It strips away illusion and leaves only consequence. Survival feels narrow and costly rather than triumphant.
By the final pages, what lingers isn’t just tension, but a stark clarity. Jurassic Park doesn’t offer a fairy-tale ending. It offers reckoning. Ambition without humility collapses. Dreams pursued without restraint demand a price. And sometimes, there is no happily ever after — only the aftermath.
Book Review
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What begins like a fish-out-of-water tale about a Soviet circus landing in America quickly turns into something far stranger and more layered. Rather than a tidy historical drama, the story throws you into culture shock, ego clashes, political tension and raw personal longing all at once. There’s a constant sense that everyone is improvising, on stage and off, and that instability gives the book its pulse.
The performers arrive carrying more than props and costumes. They bring fear of surveillance, pride in their craft, hunger for freedom and a lifetime of habits that suddenly don’t fit their surroundings. Relationships form in uneasy steps, shaped as much by suspicion as attraction. When trust does appear, it feels fragile, almost illicit, as if it might be taken away at any moment.
America is not presented as a simple promised land. It dazzles, confuses and corrupts in equal measure. Fast food, neon lights and open expression collide with homesickness, ideological baggage and the watchful presence of those who would rather the past stayed intact. The book thrives on that friction between temptation and control.
The circus acts themselves aren’t just spectacle; they read like coded messages. Traditional dances, death-defying stunts and animal performances carry the weight of heritage and the pressure of expectation. Each show feels like a negotiation between who these artists were trained to be and who they might become in a different world.
This is firmly adult fiction. Desire is explicit, power dynamics are uncomfortable, and the consequences of reckless choices are sometimes brutal. The novel deliberately crosses lines to show how liberation and exploitation can sit uncomfortably close together. It’s provocative by design, and that edge is impossible to ignore.
What makes the book stand apart is how it blurs reality and invention. It draws energy from real historical moments and recognisable figures, yet twists them through satire and imagination. I’m also not entirely sure what to make of the constant musical references and the scannable links to songs scattered through the story. At first they felt slightly distracting, but they also create a peculiar sense of atmosphere, as if the pages come with their own mixtape from another era.
By the final chapters, nothing is neatly tied up. Instead, the story deliberately pauses at a moment of upheaval, leaving relationships unresolved and futures uncertain. It feels like stepping out of the tent while the orchestra is still warming up, clearly setting the stage for whatever comes next. Unusual, confrontational and oddly playful, it’s a novel that refuses to behave like anything else on the shelf and leaves plenty of space for the second book to take the chaos even further.
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Book Review
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Wolf of the Nordic Seas pulls you in almost immediately, and once it does, it’s hard to step away. Njörd is introduced as a Viking legend—feared, powerful, almost larger than life—but what makes him compelling is how often the story lets you see the man beneath the reputation. For all his strength and god-gifted abilities, he’s constantly wrestling with prophecy, expectation, and the uneasy feeling that his fate may already be decided.
Elfi is where the book truly finds its emotional centre. Her anger, grief, and unyielding resolve feel raw and believable, and her refusal to submit to a forced marriage gives the story real weight. She isn’t reckless, but she is brave, and her choices carry consequences that feel earned. When she and Njörd come together, it doesn’t feel rushed or convenient. Their connection grows out of shared danger, mutual respect, and a slow-burning attraction that simmers beneath every interaction.
The Norse mythology is woven in with confidence. Astrid and her seiðr visions, the Norns, and the pull of the gods sit naturally alongside the historical setting, enhancing rather than overpowering it. Fate looms large throughout the story, but what keeps it engaging is the tension between destiny and desire—between what is foretold and what is chosen.
The pacing allows the story room to breathe. There are moments of violence and political tension, but they’re balanced by quieter, more intimate scenes that explore doubt, loyalty, and longing. The romance builds steadily, charged with restraint and anticipation, making its emotional and physical payoff all the more satisfying.
By the end, the novel fully embraces its fantasy nature. Prophecy, and divine purpose are active forces, shaping lives and testing bonds, but they’re matched by a sensual undercurrent that’s impossible to ignore. The intimacy between Njörd and Elfi carries both emotional depth and erotic heat, grounding the mythic elements in something visceral and human. Wolf of the Nordic Seas is a bold Viking fantasy—rich with magic, passion, and destiny—that leaves a lasting impression well after the final page.
Jennifer Ivy Walker
Jennifer Ivy Walker is an award-winning author of medieval Celtic, Nordic, and paranormal romance, as well as contemporary romance, historical fantasy, and WWII romantic suspense.
A former high school teacher and college professor of French with an MA in French literature, her novels encompass a love for French language, literature, history, and culture, including Celtic myths and legends, Norse mythology, Viking sagas, and Nordic lore.
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Book Review
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At first glance this feels like a straight time-travel adventure, but it doesn’t stay in that lane for long. Instead of grand speeches or easy heroics, you’re dropped into the story alongside four young people who are confused, out of place, and trying to work out the rules as they go. That slightly off-balance feeling never quite goes away, and it makes every discovery feel personal rather than spectacular.
What surprised me most is how much the story is about belonging. Each of them starts off alone in some way, cut off from their own time, people, or sense of purpose. Trust doesn’t come quickly, and that slow, awkward process of learning to rely on one another is where the book really finds its heart. It’s messy in a believable way, full of doubt, mistakes, and second thoughts, which makes the growing connection between them feel earned.
The contrast between worlds is handled quietly and thoughtfully. Modern life is familiar but distant, while the past is harsher yet deeply rooted in land and community. Neither is painted as perfect. Instead, the story lets you feel what might be lost and what might be gained by stepping into a different age. That tension gives the adventure a reflective edge without slowing it down.
The Time Stones themselves are fascinating not because of flashy power, but because of the responsibility they demand. Using them is never simple or safe, and the presence of the ageing shaman adds a sense of tradition and moral weight to every choice. Power here is unsettling rather than glamorous, and that makes the moments of courage stand out all the more.
Although there is danger and conflict, it is handled in a way that makes the book very suitable for a young adult audience, and it will especially appeal to teenagers. The characters are close enough to that age to feel relatable, and their struggles with identity, loyalty and purpose ring true without becoming overwhelming.
By the end, what stays with you isn’t just the adventure but the feeling of having watched something fragile and important take shape between these unlikely companions. It’s a thoughtful, emotionally grounded story about courage, heritage and finding where you belong, even when history itself is shifting under your feet.
Ian Hunter
Books have been an important part of my life as long as I can remember, and at 54 years old, that’s a lot of books. My earliest memories of reading are CS Lewis’, “The Horse and His Boy” – by far the best of the Narnia books, the Adventures series by Willard Price, and “Goalkeepers are Different” by sports journalist Brian Glanville. An eclectic mix. My first English teacher was surprised to hear that I was reading, Le CarrĂ©, Ken Follett, Nevil Shute and “All the Presidents’ Men” by Woodward and Bernstein at the age of 12. I was simply picking up the books my father had finished.
School syllabus threw up the usual suspects – Shakespeare, Chaucer, Dickens, Hardy, “To Kill a Mockingbird” – which I have reread often, and others I don’t immediately recall. By “A” level study, my then English teachers were pulling their hair out at my “perverse waste of talent” – I still have the report card! But I did manage a pass.
During a 35 year career, briefly in Banking and then in IT, I managed to find time, with unfailing family support, to study another lifelong passion, graduating with an Open University Bachelors’ degree in History in 2002. This fascination with all things historical inspired me to begin the Time Stones series. There is so much to our human past, and so many differing views on what is the greatest, and often the saddest, most tragic story. I decided I wanted to write about it; to shine a small light on those, sometimes pivotal stories, which are less frequently mentioned.
In 1995, my wife, Michelle, and I moved from England to southern Germany, where we still live, with our two children, one cat, and, when she pays us a visit, one chocolate labrador. I have been fortunate that I could satisfy another wish, to travel as widely as possible and see as much of our world as I can. Destinations usually include places of historic and archaeological interest, mixed with a large helping of sun, sea and sand for my wife’s peace of mind.
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Book Review
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Rough Diamond – Rough Justice starts off like a typical spy story, but it doesn’t stay in that lane for long. What surprised me right away is how personal it feels. Gray doesn’t drown you in technical jargon or long-winded explanations; instead, you’re dropped into Cain’s world almost the way he was—half-prepared, slightly overwhelmed, and trying to make sense of the rules as he goes.
Cain’s shift from photographer to MI5 surveillance to, well… everything that comes after, has this uneasy, snowballing energy. It’s not glamorous. It’s messy. And that’s what makes it believable. When he heads to Australia, you actually start rooting for him to stay there and just be left alone for once. Of course, the story has other plans, and the moment things go sideways, you feel it in your stomach.
The diamond-trade sections are some of the most interesting in the book—not because of the diamonds themselves, but because Gray shows the people orbiting around them: the slick operators, the liars, the ones who smile a little too easily. It’s a shiny world with something rotten underneath, and Cain walks into it like someone who already knows he should’ve turned around five miles ago.
And then the prison arc hits, and the tone shifts again. It’s heavier, slower in a deliberate way, almost claustrophobic. Cain’s been through a lot by this point, but this is where the book finally pulls back the curtain on what all that violence and secrecy has done to him internally. Instead of nonstop action, you get a kind of psychological pressure cooker that feels earned after the chaos earlier in the book.
One of the things I liked best is that Cain isn’t written as an action hero caricature. He’s competent, sure, but he doubts himself constantly, and you’re right there in his head when he second-guesses a decision or replays a mistake. His dynamic with Jerry, too, gives the story a human foothold—someone who knows him well enough to call him out but still sticks around.
The pacing never really drags, though it does shift gears a few times. Some parts feel like a thriller, others like a quiet reckoning. It works because the book isn’t trying to be a perfect formula; it’s following a man whose life has become a chain reaction.
Rough Diamond – Rough Justice is gritty, restless, and surprisingly emotional. It moves fast, but it leaves room for the bruises. If you like thrillers that focus as much on the person behind the violence as the violence itself, this one’s worth picking up.
Avien Gray
Avien Gray, the English author behind Rough Diamond – Rough Justice, brings a wealth of experience to his gripping debut novel. Born in the UK, Gray has led a dynamic, bachelor’s life marked by an impressive array of skills and global adventures. He has a driver’s license, motorbike license, and pilot’s license. His physical discipline extends to martial arts, where he earned a karate black belt, complemented by a lifelong passion for photography that captures the world through his discerning lens.
Gray’s rumoured travels paint the picture of a man unbound by borders. He is said to have spent many months in Saudi Arabia, Australia, the USA, South Africa, Europe and China. This rich tapestry of experiences infuses his writing with authenticity, lending a vivid, worldly edge to the thrilling narrative of his complex protagonist: a man called Cain.
Avien and his best friend shared a flat and went out with various female friends together. They had a great time. As it says in the book when Cain is talking with his best friend: a Royal Protection Officer.
‘We will have to write that book when we retire,’ Cain said.
They looked at each other with knowing smiles – for a long few seconds.
‘All those secrets,’ said Jerry. ‘Perhaps we will.’
And time moved on.
But in real life, his best friend tragically died – leaving Avien to write their book alone.
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Quetzalcoatl: Time Stones Book II By Ian Hunter Publication Date: 22nd April 2021 Publisher: MVB Marketing- und Verlagsservice des Buchha...